Category Archives: CFP

CfP: The Effects of WW1 on the Christian Churches in Europe 1918-1925 (EXTENDED DEADLINE)

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Rome, 12-14 November 2018

Extended deadline: 1 March 2018

This workshop will adopt an international comparative approach to study the effects of the Great War on institutionalized Christian religion (eg. Catholic, Protestant and Orthodox churches) in the immediate aftermath of the war. How did churches perceive the war and the immediate post-war period? What was the impact on Christian theology and culture? How did churches interact with the belligerent nation states and how did they cope with the changing (geo)political situation after the war? What were their ecclesiologi­cal, pastoral and liturgical challenges after the armistices? Did they adopt a defensive stance towards secularization, or did they intensify their dialogue with modernity? To what extent did they move towards a pastoral policy of social healing and offer a welcome to Christian pacifism and ecumenism?

The workshop wishes to stimulate innovative research on the interaction between religion and society in the difficult years between the end of the war and the mid-1920s. It explicitly adopts an interdenominational and international comparative perspective, stimulating a multifaceted and in-depth analysis, with due attention to methodological questions. It wants to combine the results of different fields of historical research: the history of churches and religions, cultural, intellectual, social and political history, etc. Although well-chosen case-studies with a focus on, for instance, particular regional/national contexts, or specific denominations, organizations or individuals can surely offer valuable insights, the organizers especially aim for papers that deal with the issues concerned from a broad comparative perspective. They should contribute to a better understanding of the changing nature of religious cultures across Europe. Although the workshop will deal in particular with the immediate post-war years (1918-mid 1920s), contributors are encouraged to adopt a broader chronological perspective of continuity and discontinuity in evaluating the results of their analysis for the period at hand.

The workshop will bring together senior academics as well as junior doctoral researchers in a scientific dialogue on the subject. Introductory keynote lectures from established researchers and thematic sessions will structure the multi-layered perspective as well as the comparative baseline.

More information here

Practical
The main conference and discussion language will be English, but papers in other languages are accepted as well. In that case, the organizers do ask for an English summary and an English or bilingual PowerPoint or other presentation.

Proposals should be submitted as PDF documents and should contain the following: a clear title of the proposed paper; a summary (max. 500 words), outlining the paper’s goals, methodology and source materials; CV(s) of author(s), with contact information, position and institutional affiliation.

These abstracts should be attached and emailed to the work-shop secretary (kristien.suenens@kadoc.kuleuven.be) no later than 1 March 2018. You should receive a confirmation of proposal receipt within 48 hours. The proposals will be evaluated and selected by the Scientific Committee based on topic relevance, innovativeness and the degree to which the proposal answers the call. Notification of the evaluation will occur no later than 1 April 2018. Full papers should be sent to the workshop organizers no later than 1 October 2018.

CfP: Why Remember? Ruins, Remains and Reconstructions in Times of War and Its Aftermath

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3-Day Symposium in Sarajevo, Bosnia & Herzegovina, June 27th-29th, 2018, Hotel Europe

Keynote Speaker: Donald Weber, Photographer

Sponsored by London College of Communication, University of the Arts London; Salem State University Center for Holocaust and Genocide Studies, De Montfort University, Leicester UK; WARM Festival, Sarajevo, Bosnia & Herzegovina

Organizers:
Dr. Stephenie Young, Salem State University, USA
Admir Jugo, Ph.D. Candidate, Durham University, UK
Dr. Paul Lowe, University of the Arts, London, UK
Professor Kenneth Morrison, De Montfort University, Leicester, UK
Velma Saric, Post-Conflict Research Center, Sarajevo, Bosnia & Herzegovina

In his book In Praise of Forgetting: Historical Memory and Its Ironies, David Rieff questions whether the age-long “consensus that it is moral to remember, immoral to forget” still stands in our contemporary era. What should we remember, what should we forget, and why? Do we need to reconfigure the way that we think about memory and its potential impact on issues such as reconciliation and healing in the wake of war? Is memory impotent as a social, political, or aesthetic tool? Rieff’s questions appear more pertinent than ever as wars and conflicts continue to rage in many parts of the world with no end in sight.

These questions of memory (and forgetting) are intensely political and have far-reaching consequences. Yet, how do they reverberate in the context of post-war societies, post-conflict reconciliation, conflict prevention, questions of memory and past events? To what extent do we remember the past and how do we choose what to remember and why we remember? How could and should (consciously and unconsciously) memory processes shape the present and future? How might public institutions (such as museums and other heritage sites that support education/awareness) deal with the past? What is the difference between commemoration and memorialization? Where do they intersect and how might they impact the process of reconciliation and prevention?

For summer 2018 we continue the conversations on aesthetics that we initiated in our 2017 conference but with a more specific focus on “ruins, remains and reconstructions.” In his book The Texture of Memory James E. Young states that public art can often been static and is “seemingly
frozen
face
in
the
landscape”.
In light of this, we are interested in papers that consider the contemporary status of not only what “ruins or remains” are and how they are construed, but also the ways that post-conflict societies remember through reconstructions (material—such as renovations—or philosophical or theoretical). What are landscapes of memory? How do reconstructions remember memory? What kind of art is produced in conversation with remains and ruins? What is the role of remains (human/material) and ruins in relation to the communities that live with them? How are communities established around memorials and what impact might a memorial have on a community? What kind of role does visual culture, such as photography, play in these considerations?

We seek papers from a wide-range of historical and geographical spaces that address the discursive limits of contemporary memory studies, particularly drawing on these areas of study:

Film/media studies
Museum studies/objects/ New Materialism
Visual arts including photography
Literature/Narrative
Music/Performance
Necropolitics/Forensics/Anthropology/Archaeology
Politics and aesthetics

**Interdisciplinary approaches are especially encouraged.

We welcome formal paper abstract submissions from early career researchers and post-docs as well as established scholars. We encourage applications from a range of academics, current PhD students, particularly from those outside of Western European institutions. All papers will be delivered in English.

Paper proposals should include:
• author name(s), affiliation(s) and contact email,
• paper title,
• a paper abstract (200 words max),
• and short bio (200 words max).

This academic conference is part of the larger WARM festival, which takes place in Sarajevo, Bosnia & Herzegovina each summer, and “is dedicated to war reporting, war art, war memory. WARM is bringing together people – journalists, artists, historians, researchers, activists – with a common passion for ‘telling the story with excellence and integrity’.” See here for more information.

Registration cost: 150 Euros. Concessionary rates are available for all graduate students, for faculty applying from non-EU/US institutions, and for those can present a case for reduced fees. Information about hostels and hotels will be provided for participants upon acceptance.

Please submit your proposals no later than February 15th, 2018 to why.remember.conference@gmail.com.

Decisions will be made by the beginning of March.

CfP: Identity and Memory in War and Peacebuilding

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Date of the Conference: July 2,2018
Place: Liverpool Hope University, Hope Park Campus, Liverpool L16 9JD
Deadline for abstract submissions: April 1, 2018

Identity and memory play key overlapping roles in both war and peacebuilding. Indeed, the construction of collective identities can make a difference between choosing war or choosing more peaceful paths to dispute resolution. Identity is also deeply entwined in the ways we choose to remember past wars, through commemorations and memorials.

In this conference, we are seeking contributions from scholars who are interested in questions related to identity, broadly conceived, (including nationality, ethnicity, gender, profession, etc.) and memory inwar and peacebuilding, such as:

What are the narratives that shape identity in war?
How do we commemorate those who have lost their lives in war (civilians, militia or soldiers)?
How do we recast stories of ourselves, of groupness, and of inter-group relations in post-conflict contexts?
What is the role of identity and/or memory in peacebuilding contexts?
What is the role of identity and/or memory in the aftermath of a conflict?
How does identity and/or memory relate to historical, current or future conflict scenarios?
What is the role of war commemoration practices in overcoming conflict?
What would rather be forgotten than remembered?

Please send abstracts of maximum 300 words (word format) for presentations lasting no more than 20 minutes, together with a maximum of 5 keywords and a biography of 150 words including name, title, institutional affiliation, contact information and technical requirements where applicable to tutu@hope.ac.uk by April 1, 2018.

Information about registration to the conference will be posted soon in our webpage. For any enquiries please email us at tutu@hope.ac.uk

CfP: Situating Empire: The Great War and Its Aftermath

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Graduate Student Conference “Situating Empire: The Great War and Its Aftermath”
History Department, Harvard University
November 15-16, 2018

We invite graduate students to submit proposals for a workshop exploring the impact of the Great War upon the history and configuration of Empires. This workshop is intended only for advanced doctoral students who have completed substantive archival research. Its priority is to provide close readings and feedback on research that speaks to theme themes at hand. Accepted papers will be grouped on panels, with one faculty commentator per presenter. Participation in this workshop provides an opportunity to engage in lively and lengthy discussion with faculty, and an emerging cohort of doctoral candidates from around the world.

Opening remarks will be provided by Professor Erez Manela. Our workshop’s keynote speaker will be Professor Heather Streets-Salter, and Professor Antoinette Burton will join us for a plenary panel.

This workshop will host nine papers comprised of panels of three, occurring over two days. Themes of the workshop include (but are not limited to): the constitution of imperial boundaries with respect to space, mobility, race, and class; intellectual history; histories of mobility; legal history; and the history of science and/or medicine.

Submission Guidelines and Funding
We encourage submissions from individuals at all universities. Interested graduate students should submit a 300-word proposal and one-page Curriculum Vitae (in either Word or PDF format) to greatwar.empire.harvard@gmail.com. Proposals must be received by March 30, 2018. Papers for each panel will be selected in accordance with the workshop’s themes and for their potential to facilitate dialogue across regional specializations. All participants will be notified of participation by May 1, 2018. Given that this workshop requires an engagement with the written work of other participants, all panelists are asked to submit their papers one month prior to the workshop. All questions should be directed to the email above.

We anticipate being able to reimburse reasonable travel and lodging expenses for participants who do not receive sufficient funding from their institutions of study. Due to a limited budget, however, this amount will not exceed $500. Meals will be provided throughout the workshop.

CfP: Immoral Money and War Profiteurs (1870-1945)

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29-30 May 2018
Maison de la Recherche (Paris-Sorbonne University), Paris

The conference on “Immoral Money and War Profiteurs (1860-1945)” is part of a series of scientific events focusing on the topic of political corruption, organised by a Franco-German research partnership (project POCK2, ANR-DFG) between Paris-Sorbonne University, the University of Avignon, Darmstadt University of Technology and Goethe University Frankfurt. The collaborative project is also supported by research groups from the Autonomous University of Barcelona, the New Europe College of Bucharest, the Free University of Amsterdam, and is part of the International Scientific Coordination Network « Politics and Corruption » (GDRI 842 CNRS).

The conference will explore the emergence of immoral money and war profiteurs in times of war or in the post-war period in Europe (1870-1945). The “economic cleansing” that occurred in France after the Second World War is an example of war profiteering that has been studied by the CNRS research team (GDR) 2539 “Companies under the Occupation”. By contrast, the Franco-Prussian War in 1870 and the Great War have not been given much attention. This conference aims to analyse the allegations of corruption levelled against companies that were thought to have turned high profits in wartime or immediately thereafter. A special but nonexclusive focus should be given to French and German cases. Examples found in other European countries, from the last third of the XIXth century to the first half of the XXth century, may also be addressed.

While it is superfluous to stress the importance of wars as historical highlights, we shall emphasize how decisive wars are in defining public norms systems. Indeed, the potential contradiction between individual benefits and collective interest is increased during such conflicts. In this context, great sacrifices are made on behalf of community and national safety as patriotism is required from all, while unique economic dynamics emerge: hasty decisions are made in times of great uncertainty; public spending increases substantially and huge funds are injected in the war system. High profits may thus be made at a low cost by individual stakeholders, particularly in such sectors as military supply and army logistics. Influence networks prove to play a crucial role in such circumstances. It is mainly when wars have been lost that the gains achieved by war profiteurs are seen as unacceptable. Profit margins considered as unreasonably high, as well as speculative profits, are on the radar and deemed all the more scandalous since they have been made against a backdrop of general shortage. The topic of “immoral money” invites us to assess the importance of post-war periods rather than just focus on the conflicts themselves.

Topics could include but are not limited to:
– public debates on immoral money and hidden practices/malpractices during the 1870-1871 War, the Great War or World War II and their aftermaths – not only in France. Other conflicts may also be examined. Proposals that deal with the issues of war debts and reparations, especially in terms of the polemics they led to, will be welcome.
– the institutions that have dealt with this question in judiciary, political and parliamentary terms: focus may be placed on the parliamentary inquiry committees that have been established at the time.
– efforts should be made to put a figure on the profits made by specific firms as well as by entire industry sectors, however delicate the task may be – especially in the case of France, given the lack of a standardized business accounting programme until 1941, which is when the national chart of accounts was created.

Please send proposals (1500 characters max.) in either English or French before 1st March 2018 to frederic.monier@univ-avignon.fr and olivierdard@orange.fr

The scientific board (composed of Olivier Dard, Jens Ivo Engels, Silvia Marton, Cesare Mattina, Frédéric Monier and Gemma Rubi) will examine and select the proposals.

Transport (in Europe) and accommodation will be provided to participants.

1st Joint KCL/Oxford History of War Conference

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The study of the history of war at King’s College London and the University of Oxford has long been intertwined, owing to the figure of Sir Michael Howard. At King’s, the sustained growth and success of the Department of War Studies, and the new Sir Michael Howard Centre for the History of War attest to this. At Oxford, Howard’s legacy is reflected in a sustained engagement with the history of war beyond operational military history, taking seriously wider cultural, economic, intellectual, political, and social entanglements of armed conflict.

This conference aims to bring together postgraduate research students working at King’s College London and the University of Oxford in order to provide a forum for the exchange of ideas or work in progress, and foster new connections and exchanges between the two institutions. The conference aims to create an inclusive forum to showcase current research on war and armed conflict in all its breadth and will therefore accept submissions from historians in any and all fields, working on a range of periods.

We invite historians working on a variety of aspects of war, whether they are interested in operational military history or the representation of war in art or poetry, to present their research. Submissions are welcomed from scholars working on any disciplinary approach to armed conflict in any period.

The conference will take place at King’s College London on 23 April 2018.

Proposals
Proposals (c. 300 words) for papers of 20 minutes should be submitted to the organisers at kcloxphdconference@gmail.com by 1 March 2018.

CfP: MGHG Conference: Museums, Collections & Conflict, 1500-2010

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MGHG Biennial Conference 2018, National Maritime Museum, 13-14 July 2018

Keynote speaker: Annie Coombes, Professor of Material and Visual Culture, Birkbeck, University of London

Museums have been profoundly shaped by war and armed conflict, and have also played a significant part in shaping understandings and memories about them. Yet there has been little sustained examination of the way museums in war and war in museums has played out. Since Gaynor Kavanagh’s foundational study Museums and the First World War in 1994, and with the publication this year of Catherine Pearson’s similarly ground-breaking Museums in the Second World War, it is clear that museums have played and can play an important role in helping society address such crisis situations. On the home front, for example, museums have helped society prepare for war and armed conflict. In leading commemoration in the aftermath of war and armed conflict, museums have helped society come to terms with what happened, understand why it happened, and remember sacrifices. Yet museums have equally served as arenas where issues such as commemoration have been contested and negotiated, and where particular narratives legitimising war and conflict have been developed. This conference hopes to address a broad range of questions, including on collecting (in) war and armed conflict, on the deliberate targeting and destruction or safeguarding of museums and cultural property, and the broader range of institutions brought forth or which are strongly influenced by war and armed conflict.

We seek papers which particularly address but are not restricted to the following questions over a period from the Early Modern to the end of the twentieth century:

What have museums done during periods of conflict and what has happened to them? Have they been responsible for morale, have they been targets of attack, have they physically moved and how has their staffing been affected?
How have museums and collections acted to commemorate conflict?
In what ways have wars and other conflicts affected museums’ and collectors’ collecting activities, positively or negatively? How have wars and conflicts been collected, and by whom?
How have museums represented war, civil war and other conflicts such as rebellions? Have museums promoted peace by interpreting war?
How have museums of conflict, of the armed forces and of weaponry/armouries developed historically?

We welcome proposals for papers which deal with the history of museums and collecting in a British, European or wider context or which address the relationships between different geographical areas.

Paper proposals should be for papers of 20 minutes’ length. Proposals should be 250 words max and include the name, contact details and affiliation (if applicable) of the speaker.
Panel proposals are strongly encouraged and should consist of a panel title, proposals for 3 papers, along with a rationale for the panel theme, and contact details and affiliations (if applicable) of all participants. Please indicate whether you will provide a chair for your session or not (it does not matter which).
Poster proposals are also welcomed. Please contact Kate Hill (khill@lincoln.ac.uk) for more information.

All the above proposals should be sent to contact@mghg.info by 1 March 2018. Please note all speakers and poster presenters will be expected to pay the conference registration fee.

Further information here.