Tag Archives: conflict

CfP: A HERITAGE OF WAR, CONFLICT, AND COMMEMORATION, Change Over Time Journal

Posted on by

The journal Change Over Time: An International Journal of Conservation and the Built Environment, published by the University of Pennsylvania Press, invites submissions for the Fall 2019 issue.

A HERITAGE OF WAR, CONFLICT, AND COMMEMORATION
Guest Editor: William Chapman

Sites of war and conflict that symbolize collective loss or that served as pivotal moments in national or global history are sometimes elevated to the status of “heritage.” Battlefields, sites of bombings, or places of terrorist attacks are all marked by human tragedy and acts of violence and their interpretation is inherently conflictual. This issue of Change Over Time examines heritage produced by violent acts of destruction and our efforts to commemorate the complex narratives these sites embody.

To support the interpretation of sites characterized by absence, we have often erected commemorative memorials of various forms from plaques and commissioned statuary to the presentation of charred and damaged remnants of what stood before. Examples featuring the vestiges of physical destruction include: the hull of the USS Arizona, sunk during Japan’s 7 December 1941 attack on Pearl Harbor; the skeleton of the domed administrative building that marked the zero point of the atomic bomb on Hiroshima in August 1945; the stabilized walls of St. Michael’s Cathedral in Coventry, a victim of the German Luftwaffe’s November 1940 blitz; and the “Survivors’ Stairs,” the last remaining element of the World Trade Center following its destruction on 11 September 2001. In this issue, we invite contributors to interrogate the types and nature of heritage produced out of war and conflict, the forms of its commemoration, and the challenges associated with its conservation. We encourage contributors to consider the influence of class, politics, and culture in commemorative expressions; the technical and conceptual challenges of conserving objects or places of destruction; inclusive or conflicting (re)interpretation; and evolving perceptions of places over time.

We welcome contributions representing a broad array of geographic, cultural, temporal, and historical contexts that may or may not include vestiges of destruction but that do address the complex attributes of collective place based tragedy. Submissions may include, but are not limited to, case studies, theoretical explorations, and evaluations of current practices or policies as they pertain to the conservation and commemoration of heritage of war and conflict.

Abstracts of 200-300 words are due 1 August 2018. Authors will be notified of provisional paper acceptance by 1 September 2018. Final manuscript submissions will be due late November 2018.

Submission
Articles are generally restricted to 7,500 or fewer words (the approximate equivalent to thirty pages of double-spaced, twelve-point type) and may include up to ten images. See Author Guidelines for full details at cotjournal.com, or email Senior Associate Editor, Kecia Fong at cot@design.upenn.edu for further information.

Museums, Collections & Conflict, 1500-2010 – MGHG Biennial Conference 2018 Provisional Programme

Posted on by

13-14 July 2018, National Maritime Museum

Tickets can be purchased online here. For discounted conference tickets and access to the Museums History Journal, membership of the Museums and Galleries History Group can be purchased online here at a rate of £15 for students, £20 for individuals and £35 for institutions. MGHG Membership runs from 1 February to 1 February each year.

MGHG members: £40 / non-members: £70 / MGHG student members: £25 / student non-members: £40

Friday 13 July 2018

9.30 – 10.00 – Registration and tea/coffee

10.00 – 10.10 – Introduction (Kate Hill, Chair of MGHG)

10.10 – 12.10 – Panel 1: New insights into the history of the Imperial War Museum

Chair: James Wallis (University of Essex) Discussant: James Taylor (IWM London)

James Wallis (University of Essex) – The Imperial War Museum’s First World War galleries – a space of conflict?
Anna Maguire (King’s College London) – Researching Colonial Experience in the Collections of the Imperial War Museums
Kasia Tomasiewicz (University of Brighton & IWM) – Methods in the Museum: Reflections on Positionality within the Imperial War Museum

12.10 – 13.10 – Lunch (not provided) – postgraduate students lunch session for pre-registered participants only

13.10 – 14.40 – Panel 2: Museums in Wartime I: Protecting museums and objects

Anna Tulliach (University of Leicester) – Assessing the war issue at the Civic Museum of Bologna (1915-1945)
Zoé Vannier (École du Louvre) – Managing a collection “far from drums’ sound”: The evacuation and management of the Near Eastern Antiquities department of the Louvre Museum during World War II
Eva March (Pompeu Fabra University, Barcelona) – The Spanish Civil War (1936-1939) and Catalan art museums

14.40 – 15.10 – Tea/Coffee

15.10 – 16.40 – Panel 3: Politics of curating and displaying war

Quintin Colville (Royal Museums Greenwich) – Medals and masculinities: representing the First World War at sea through word and object
Bridget Yates (independent researcher) – ‘The present is pretty terrible, the future is unknown, the past is the only stable thing to which we can turn’: Philip Ashcroft, Rufford Village Museum and the preservation of rural life and tradition during the Second World War
Zoe Mercer-Golden (Royal Museums Greenwich) – Treasure, Triumph and Trespass: Curatorial Challenges in the Collecting and Display of “Priam’s Treasure”

17.40 – 17.00 – Break

17.00 – 18.00 – Keynote lecture: Prof Geoff Quilley (University of Sussex)

18.00 – 19.30 – Reception

Saturday 14 July

9.30 – 11.00 – Panel 4: Collecting during conflict

Simon Quinn (University of York) – British military antiquarianism and collecting during the campaign in Egypt, 1801
Nicholas Badcott (SOAS) – Collecting on campaign in Mahdist Sudan
Amanda Mason (IWM) – Collecting Contemporary Conflict at IWM

11.00 – 11.30 – Tea/coffee

11.30 – 13.00 – Panel 5: Museums in wartime II: Keeping museums going

Catherine Pearson (Anglia Ruskin University) – ‘I knew what I wanted to do and just went ahead’: The experiences of museum staff during the Second World War
Karin Müller-Kelwing (Staatliche Kunstsammlungen Dresden: Dresden State Art Collections) – Museum without objects?
Evelien Scheltinga (research-curator) – Dutch museums during World War 2

13.00 – 14.00 – Lunch (not provided) – selection of archival materials on view in Caird Library on history of the National Maritime Museum

14.00 – 14.30 – MGHG AGM

14.30 – 16.00 – Panel 6: History of War Museums

Jacqui Grainger (Royal United Services institute for Defence and Security Studies) – A Lost Museum: the RUSI Museum, 1831-1962
Phil Deans (Newcaslte University) – From A Museum on the World’s Last War, To a Museum on the Two World Wars: Crisis Management and reinvention at the Imperial War Musuem, 1939 – 1946
Melanie Vandenbrouk (Royal Museums Greenwich) – Two world wars and art at the National Maritime Museum

Conference closes

CFP: Visual Culture and Conflict in Central and Eastern Europe

Posted on by

University of Newcastle (Australia), 18-19 June 2018.

Central and Eastern Europe have been both the site of numerous local conflicts and the battleground of some of the largest conflicting ideologies of the eighteenth – twentieth centuries. The symposium aims to bring together scholars from a range of disciplines to examine how these conflicts in their various forms (such as social, economic, religious, ethnonational, imperial, and ideological) have been represented in diverse visual media (including, but not restricted to, painting, photography, film, cartoons, caricatures, museum displays, maps and graphs). Themes papers might address include:

How does visual culture contribute to or mitigate conflict?
Are there distinct Central and Eastern European cultures of representation of conflict, be they national, imperial, religious, etc.?
How have ideological and regime shifts shaped representations of conflict?
Conversely, do visual cultures transcend ideological and regime shifts?
What role have the sciences, e.g. cartography, ethnography, and physical anthropology, played in shaping representations of conflict?
How has visual culture been use to elide and disguise conflict?

We intend to publish a themed issue with a scholarly journal from the conference. Potential contributors may contribute to the themed issue without attending the symposium.

This symposium is hosted by the Centre for the History of Violence at the University of Newcastle (Australia), in cooperation with the Antipodean East European Study Group (AEESG) at Victoria University (Wellington).

Please send abstracts to: sacha.davis@newcastle.edu.au by 15 April 2018.

CfP: MGHG Conference: Museums, Collections & Conflict, 1500-2010

Posted on by

MGHG Biennial Conference 2018, National Maritime Museum, 13-14 July 2018

Keynote speaker: Annie Coombes, Professor of Material and Visual Culture, Birkbeck, University of London

Museums have been profoundly shaped by war and armed conflict, and have also played a significant part in shaping understandings and memories about them. Yet there has been little sustained examination of the way museums in war and war in museums has played out. Since Gaynor Kavanagh’s foundational study Museums and the First World War in 1994, and with the publication this year of Catherine Pearson’s similarly ground-breaking Museums in the Second World War, it is clear that museums have played and can play an important role in helping society address such crisis situations. On the home front, for example, museums have helped society prepare for war and armed conflict. In leading commemoration in the aftermath of war and armed conflict, museums have helped society come to terms with what happened, understand why it happened, and remember sacrifices. Yet museums have equally served as arenas where issues such as commemoration have been contested and negotiated, and where particular narratives legitimising war and conflict have been developed. This conference hopes to address a broad range of questions, including on collecting (in) war and armed conflict, on the deliberate targeting and destruction or safeguarding of museums and cultural property, and the broader range of institutions brought forth or which are strongly influenced by war and armed conflict.

We seek papers which particularly address but are not restricted to the following questions over a period from the Early Modern to the end of the twentieth century:

What have museums done during periods of conflict and what has happened to them? Have they been responsible for morale, have they been targets of attack, have they physically moved and how has their staffing been affected?
How have museums and collections acted to commemorate conflict?
In what ways have wars and other conflicts affected museums’ and collectors’ collecting activities, positively or negatively? How have wars and conflicts been collected, and by whom?
How have museums represented war, civil war and other conflicts such as rebellions? Have museums promoted peace by interpreting war?
How have museums of conflict, of the armed forces and of weaponry/armouries developed historically?

We welcome proposals for papers which deal with the history of museums and collecting in a British, European or wider context or which address the relationships between different geographical areas.

Paper proposals should be for papers of 20 minutes’ length. Proposals should be 250 words max and include the name, contact details and affiliation (if applicable) of the speaker.
Panel proposals are strongly encouraged and should consist of a panel title, proposals for 3 papers, along with a rationale for the panel theme, and contact details and affiliations (if applicable) of all participants. Please indicate whether you will provide a chair for your session or not (it does not matter which).
Poster proposals are also welcomed. Please contact Kate Hill (khill@lincoln.ac.uk) for more information.

All the above proposals should be sent to contact@mghg.info by 1 March 2018. Please note all speakers and poster presenters will be expected to pay the conference registration fee.

Further information here.

CfP: The First World War at sea: conflict, culture and commemoration

Posted on by

National Maritime Museum, Greenwich, 8-10 November 2018

Call for papers deadline: 1 March 2018
Conference website

This conference will explore the First World War at sea through wide-ranging themes designed to provide a forum for interdisciplinary research and new perspectives on the subject. Focused on both navies and the merchant marine, the conference will also place the experience of the maritime war within the historical context of the years preceding and following the conflict.

Social history:
The human experience of maritime conflict
Explorations of the war at sea from perspectives of class, rank, race, age, gender or sexuality
Explorations of the war at sea from imperial and global perspectives

Operational history:
The ‘undramatic’ duties of naval warfare: blockade, minelaying, reconnaissance, trade protection, power projection
Naval wartime roles around the globe
The wartime duties of the merchant marine
Technology and the war at sea

Institutional history:
The wartime training of naval officers and ratings
The impact of war on naval hierarchies and ideas of leadership
Institutional lessons learned, and navies in the Second World War
The impact of the war on the merchant marine

Cultural history:
Public opinion and media coverage relating to the navy/merchant marine before, during and after the conflict
Cultural constructions of maritime heroism, and their relationship to pre-war touchstones, from Nelson to Scott

Memory and commemoration:
Remembering the war at sea: memorials, memoirs and material culture
Family history and the legacy of maritime war
Restoring the naval heroic: cinema, novels, pageants and museums
Themes, events and people that commemoration left unremembered

Please submit proposals of 300 words for individual papers, along with a short CV to Lizelle de Jager (Research Department Executive, National Maritime Museum): research@rmg.co.uk

We welcome submissions from academics, local historians and community group projects.

This conference is held in partnership with Gateways to the First World War, an Arts and Humanities Research Council-funded centre for public engagement with the First World War Centenary.

Talk: Tait Keller, “Grim Fields: Militarized Environments of the First World War and the Making of the 20th Century.”

Posted on by

Wednesday 7 December 2016, 11.00 to 13.00
OC1.01, University of Warwick

Tait Keller is an associate professor of History and former Director of Environmental Studies and Sciences at Rhodes College in Memphis, Tennessee. His research focuses on environmental change in times of crisis and conflict. His publications include, Apostles of the Alps: Mountaineering, Nature, and Nationhood in Germany and Austria, and articles in Annales, Environmental History, World History Connected, and the International Encyclopedia of the First World War. He is currently working on his next book project, A Global Environmental History of the First World War, which is under contract with Cambridge University Press. He earned his B.A. in History at the University of Rochester and his M.A. in German and European Studies and Ph.D. in History at Georgetown University.

Contact: Pierre Purseigle p.purseigle@warwick.ac.uk

CfP: Missing Memorials and Absent Bodies: Negotiating Post-conflict Trauma and Memorialisation

Posted on by

Proposal submissions are welcomed towards this symposium, which will take place on September 20, 2016 at the NIOD Institute for War, Holocaust and Genocide Studies in Amsterdam, the Netherlands. The event will focus on the impact of absence on mourning work, memorialisation and commemoration, and the implications this bears for effective reconciliation. Drawing on memory, conflict and cultural studies, the area foci will include, but will not be limited to, the Balkans, Central and West Africa, Europe, the Middle East, and South America. In turn, the symposium will consider the following questions:

How is mourning work enacted in the absence of a (complete) body?
How is memorialisation practised in the absence of a memorial site?
How is trauma and postmemory addressed in the absence of mutual acknowledgement?
How is absence represented in the cultural archive?

In addition, proposals should respond to the following themes:

Missing bodies;
Absent sites and ruins;
Acknowledgement and reparations;
Space, place and mapping;
Postmemory and multidirectional memory;
Trauma and post-war recovery.

Submissions from scholars, researchers, art practitioners and activists with a focus on memory, trauma, heritage, and/or transitional justice, will be welcomed equally.

Lastly, funds are available to cover the cost of a return travel ticket and an overnight stay for presenters travelling to and from Amsterdam.

Please submit a title, an abstract of 500 words, and a brief bio, by August 1, 2016 to Luisa Gandolfo (k.luisa.gandolfo@abdn.ac.uk).