CfP: The First World War at sea: conflict, culture and commemoration

National Maritime Museum, Greenwich, 8-10 November 2018

Call for papers deadline: 1 March 2018
Conference website

This conference will explore the First World War at sea through wide-ranging themes designed to provide a forum for interdisciplinary research and new perspectives on the subject. Focused on both navies and the merchant marine, the conference will also place the experience of the maritime war within the historical context of the years preceding and following the conflict.

Social history:
The human experience of maritime conflict
Explorations of the war at sea from perspectives of class, rank, race, age, gender or sexuality
Explorations of the war at sea from imperial and global perspectives

Operational history:
The ‘undramatic’ duties of naval warfare: blockade, minelaying, reconnaissance, trade protection, power projection
Naval wartime roles around the globe
The wartime duties of the merchant marine
Technology and the war at sea

Institutional history:
The wartime training of naval officers and ratings
The impact of war on naval hierarchies and ideas of leadership
Institutional lessons learned, and navies in the Second World War
The impact of the war on the merchant marine

Cultural history:
Public opinion and media coverage relating to the navy/merchant marine before, during and after the conflict
Cultural constructions of maritime heroism, and their relationship to pre-war touchstones, from Nelson to Scott

Memory and commemoration:
Remembering the war at sea: memorials, memoirs and material culture
Family history and the legacy of maritime war
Restoring the naval heroic: cinema, novels, pageants and museums
Themes, events and people that commemoration left unremembered

Please submit proposals of 300 words for individual papers, along with a short CV to Lizelle de Jager (Research Department Executive, National Maritime Museum): research@rmg.co.uk

We welcome submissions from academics, local historians and community group projects.

This conference is held in partnership with Gateways to the First World War, an Arts and Humanities Research Council-funded centre for public engagement with the First World War Centenary.

CfP: A Holiday from War? “Resting” behind the lines during the First World War

Université Paris III – Sorbonne Nouvelle
June 22 & 23, 2018
Maison de la Recherche

Organised by Sarah Montin (EA PRISMES) et Clémentine Tholas-Disset (EA CREW)
Confirmed Keynote Speaker: Tim Kendall (University of Exeter)

What do the soldiers do when they are not on the battlefield? The broadening of the definition of war experience in recent historiography has transformed our spatial and temporal understanding of the conflict, shifting the scope away from the front lines and the activities of combat. Beyond the battlefield and its traditional martial associations emerges another representation of the warrior and the soldier, along with another experience of the war.

In order to further our understanding of the historical, political and aesthetic concerns of life at the rear, long considered a parenthesis in the experience of war, this interdisciplinary conference will address, but will not be limited to, the following themes:

The ideological, medical and administrative construction of the notion of “rest” in the First World War (as it applied to combatants but also auxiliary corps and personnel).
Paramilitary, recreational and artistic activities at the rear; the organisation of activities in particular leisure and entertainment, the role of the army and independent contractors (civilian organisations, etc.)
Sociability between soldiers (hierarchy, tensions, camaraderie); the rear area as meeting place with the other (between soldiers/auxiliary personnel, combatants, locals, men/women, foreign troops, etc.), site of passage, exploration, initiation or “return to the norm” (“rest huts” built to offer a “home away from home”), testimonies from inhabitants of the occupied zones
Articulations and dissonances between community life and time to oneself, collective experience and individual experience
The historic and artistic conceptualisation of the rear area, specific artistic and literary modes at the rear by contrast with writings at the front
Staging life at the rear: scenes of country-life, idyllic representations of non-combat as farniente or hellscapes, bathing parties or penitentiary universes, the figure of the soldier as dilettante, flâneur and solitary rambler, in the productions (memoirs, accounts, correspondence, novels, poetry, visual arts, etc.) of combatants and non-combatants;
Cultural, political and media (re)construction of the figure of the “soldier at rest” (war photography, postcards, songs, etc.); representations of the male and female body at rest, constructions of a new model of masculinity (sexuality and sport), and their place in war production

Full details here.

In order to foster dialogue between the Anglophone, Francophone and Germanophone areas of study, the conference will mainly focus on the Western Front. However proposals dealing with other fronts will be examined. Presentations will preferably be in English.

Please send a 250-word proposal and a short bio before November 20, 2017 to :
montin.sarah@gmail.com and clementine.tholas@univ-paris3.fr
Notification of decision: December 15th 2017