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Conference: Reflections on the Commemoration of the First World War

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22-23 November 2018 at Tūranga (Central Library) on the corner of Gloucester Street and Colombo Street, Christchurch.

As we approach the end of the centenary of World War One, it is timely to consider the ways in which this conflict has been commemorated. Galleries, libraries, archives and museums around New Zealand and the world have explored old and new narratives of the war and presented these in exhibitions, public programmes and research. Many of these interpretations have been the result of collaborations that have joined repositories with academia, other institutions and the community. This conference invites museum professionals, historians, librarians, academics, students, film makers, artists, writers, researchers, government sector contributors and others to reflect on the commemoration of the war.

Registration is now open. To register click here.

$280 Early Bird Registration (available until 1 August 2018)
$320 Full Registration
$110 Student Registrations (must be currently enrolled in an accredited tertiary institution to qualify) +15% GST = $126.50

A publication featuring a selection of papers from the conference will be produced following the conference.

You can contact the conference committee at ReflectionsWWi2018@gmail.com. An alphabetical listing of all the presentation abstracts is available here.

Keynote speakers:
Dr. Tim Cook, C.M. (Historian, Canadian War Museum)
Entrenched Culture: Soldiers’ Culture in the Aftermath of the First World War

Professor Joy Damousi (Professor of History, University of Melbourne)
Blood, Bodies and Bones: Remembering Violence of the First World War in the 21st century

Dr. Santanu Das (literary and cultural historian, King’s College London)
The Colours of Memory: the racial politics of the centennial commemoration

Further information on conference website.

CfP: A Holiday from War? “Resting” behind the lines during the First World War

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Université Paris III – Sorbonne Nouvelle
June 22 & 23, 2018
Maison de la Recherche

Organised by Sarah Montin (EA PRISMES) et Clémentine Tholas-Disset (EA CREW)
Confirmed Keynote Speaker: Tim Kendall (University of Exeter)

What do the soldiers do when they are not on the battlefield? The broadening of the definition of war experience in recent historiography has transformed our spatial and temporal understanding of the conflict, shifting the scope away from the front lines and the activities of combat. Beyond the battlefield and its traditional martial associations emerges another representation of the warrior and the soldier, along with another experience of the war.

In order to further our understanding of the historical, political and aesthetic concerns of life at the rear, long considered a parenthesis in the experience of war, this interdisciplinary conference will address, but will not be limited to, the following themes:

The ideological, medical and administrative construction of the notion of “rest” in the First World War (as it applied to combatants but also auxiliary corps and personnel).
Paramilitary, recreational and artistic activities at the rear; the organisation of activities in particular leisure and entertainment, the role of the army and independent contractors (civilian organisations, etc.)
Sociability between soldiers (hierarchy, tensions, camaraderie); the rear area as meeting place with the other (between soldiers/auxiliary personnel, combatants, locals, men/women, foreign troops, etc.), site of passage, exploration, initiation or “return to the norm” (“rest huts” built to offer a “home away from home”), testimonies from inhabitants of the occupied zones
Articulations and dissonances between community life and time to oneself, collective experience and individual experience
The historic and artistic conceptualisation of the rear area, specific artistic and literary modes at the rear by contrast with writings at the front
Staging life at the rear: scenes of country-life, idyllic representations of non-combat as farniente or hellscapes, bathing parties or penitentiary universes, the figure of the soldier as dilettante, flâneur and solitary rambler, in the productions (memoirs, accounts, correspondence, novels, poetry, visual arts, etc.) of combatants and non-combatants;
Cultural, political and media (re)construction of the figure of the “soldier at rest” (war photography, postcards, songs, etc.); representations of the male and female body at rest, constructions of a new model of masculinity (sexuality and sport), and their place in war production

Full details here.

In order to foster dialogue between the Anglophone, Francophone and Germanophone areas of study, the conference will mainly focus on the Western Front. However proposals dealing with other fronts will be examined. Presentations will preferably be in English.

Please send a 250-word proposal and a short bio before November 20, 2017 to :
montin.sarah@gmail.com and clementine.tholas@univ-paris3.fr
Notification of decision: December 15th 2017