CFP: “Re-conceptualizing Cultures of Remote Warfare:” Special Issue of The Journal of War and Culture Studies

We are now into the second century in which aerial warfare is commonplace in a range of forms, and the second decade in which drone warfare is routinized. As paradigm, strategy, and tactic, violence-at-a-distance has become a predominant model of military engagement. Even a partial list of its manifestations reveals its reach and diversification: the initial use of weaponized aircraft during the First World War; the bombing of Guernica in the Spanish Civil War; the firebombing of Tokyo during the Second World War; Richard Nixon’s efforts to use sustained bombing to compel negotiations during the Vietnam War; the ‘smart bombs’ fetishized during the 1991 Persian Gulf War; and the embrace of drones as the solution to the challenges posed by the twenty-first century’s non-linear and unbounded battlefield. War at a distance requires, and prompts the development of, new types of weapons, including the atom bomb, the Minuteman Missile, Napalm, Cruise missiles, and the Predator and Reaper drones. The significance of these inventions, and their casualties, extends beyond the historical and political frames, resonating into the domains of environment, ethics, and culture.

Activists, artists, and scholars across the humanities and social sciences have taken these forms of warfare as objects of criticism, inspiration, and study. Beyond the rehash of now-familiar critiques of remote warfare and its potential for dehumanization and indiscriminate lethality, however, what is left to be said? We invite essays for a themed special issue of The Journal of War and Culture Studies that develop new, more substantive and productive ways of thinking about remoteness in warfare by opening up uncharted critical spaces in which to reflect on it and, more specifically, its cultural origins, consequences, and enmeshments.

Among the questions that this issue will explore are: What are the cultural preconditions for remote warfare? How does remote warfare transform the cultures that engage in, and suffer under, it? What sites of cultural production capture or obscure the experiences of remote warfare’s perpetrators and casualties? How do producers of culture understand their obligations during remote wartime, and what roles do audiences and spectators play in these exchanges? How might cultural productions enable or critique this violence? Articles for this special issue may pursue answers to these questions by illuminating overlooked histories and cultural products, developing methodologies suited to studying these issues, identifying conceptual frameworks that need to evolve to keep pace with new developments, making ethical claims, or clarifying the role of theory in times of remote warfare. Given the centrality of U.S. doctrine, technologies, and conflicts in the propagation of remote warfare, we are especially, but not exclusively, interested in articles that consider these issues in an American context, broadly construed.

This special issue of The Journal of War and Culture Studies is provisionally scheduled to appear in 2018 – a moment that marks the fifteenth anniversary of the U.S.-led war in Iraq and the fiftieth anniversary of the final months of Operation Rolling Thunder in Vietnam. These anniversaries create timely opportunities for reconsidering remote warfare, and tracing both historical continuities and disjunctures. JWACS emphasizes the critical study of connections between warfare and cultural production, broadly construed to encompass the arts, all forms of popular culture, journalism, documentary, institutional media, and more. Successful abstracts will clearly indicate how the proposed paper contributes to the overall project of the journal and the objectives of the special issue.

To propose an article for inclusion in this special issue, please submit a 500-word abstract and a 2-page CV to its editors, Rebecca A. Adelman (adelman@umbc.edu) and David Kieran (dkieran@washjeff.edu), by May 15, 2016 for a decision by early June. Draft manuscripts will be due January 15, 2017, and final manuscripts on June 1, 2017. We also welcome queries in advance.

CfP: Faith and the First World War

Conference: University of Glasgow, 21-22 July 2016

A programme of events to mark the centenary of the Women’s Peace Crusade will take place on 23 July 2016 at Glasgow Women’s Library.

The extent and importance of religious faith in the First World War is undoubtedly one of the great rediscoveries of the centenary years. Among the belligerent empires and nations, religion proved to be a vital sustaining and motivating force, with the Ottoman war effort cloaked as a jihad, the United States entering the war on Good Friday 1917, and even professedly secular societies such as France experiencing a degree of religious revival. At the same time religious convictions also provided some of the most powerful critiques of the war, contributing to tireless peace-making efforts by Pope Benedict XV and to the stand of thousands of conscientious objectors in Great Britain and the United States. Faith also inspired many of the women who were active in war resistance and initiatives for peace, including Quakers, feminists and Christian socialists who were involved in the Hague Peace Congress of 1915, the resulting Women’s International League, and also grassroots action such as the Women’s Peace Crusade, which was launched in Glasgow in the summer of 1916.

This conference seeks to explore the huge diversity and significance of religious faith for those who experienced the First World War, addressing themes such as faith in the armed forces and on the home front, religion, war resistance and the peace crusade, and the role of religion in remembrance.

Key-note speakers will include Professor S. J. Brown (University of Edinburgh), Dr Lesley Orr (University of Edinburgh) and Professor Michael Snape (University of Durham).

We invite proposals for twenty-minute papers on topics related to the theme. We would welcome papers not only from academics, but also from independent scholars, local history researchers, archivists and others with an interest in this area. Deadline for paper proposals is 31 May 2016. Please send abstracts (ca. 150 words) to Dr Charlotte Methuen: charlotte.methuen@glasgow.ac.uk.

To register for the conference, please contact Dr Charlotte Methuen (charlotte.methuen@glasgow.ac.uk) or visit (https://www.eventbrite.com/e/faith-and-the-first-world-war-tickets-24680348587). Cost to participants is £25.00 per day to include coffees, teas and lunch. Please pay by cheque (made out to “The University of Glasgow”) or by cash on the day. We can provide a list of local and university accommodation.

Conference poster: Faith and the First World War call for papers
Booking form: Faith and the First World War – Booking Form

CfP: Maritime Masculinities, 1815-1940

Oxford, UK, 19th-20th December, 2016

Keynote speakers include:
Dr Mary Conley, College of the Holy Cross, USA
Prof. Joanne Begiato, Oxford Brookes University
Dr Isaac Land, Indiana State University, USA

The Department of History, Philosophy & Religion, Oxford Brookes University, and the Port Towns and Urban Cultures group, University of Portsmouth, invite proposals for a conference concerning Maritime Masculinities, 1815-1940.

Whilst much has been written about masculinity in the maritime sphere in the eighteenth century, rather less work has been carried out on this domain of research in the nineteenth and the first half of the twentieth century; a period that saw significant changes in both areas.

The period from 1815 – 1940 saw the demise of the sail ship, and the rise of the machine-driven steam, and then oil-powered ships. It began as a period of both naval and maritime supremacy for Britain, which was subsequently eroded during two world wars. After a century of frequent naval warfare, there was the advent of the Pax Britannica, and the phenomenon of navies which barely fought. Moreover, popular navalism emerged in advertising, pageantry, and popular literature, and was the subject of photography and then film.

Cultural ideals of masculinities also underwent considerable shifts in a period that in civilian life advocated differing styles of manliness including Christian manliness, muscular Christianity, and the domestic man, and in the armed forces deployed tropes of masculinity such as bravery, stoicism, and endurance to the extent that military and maritime models of manliness were held up as aspirational models for all men.

Such an immense array of changes shaped perceptions and representations of masculinity within maritime spheres and beyond. This conference seeks to analyse how such changes influenced change and continuity in popular understandings of masculine identity, manliness, and the seafarer.

Conference themes include, but are not limited to, the following topics:

The effect of technological change, eliminating the skill of sailing, but necessitating the engineer
The end of a century of war, the transition to civilian life and the phenomenon of the non-combative sailor
The growth of maritime empires, and cultural contact with indigenous peoples
The maritime man in material culture, fashion, advertising and the press
Exploration and heroism
Photography, art, and film
Fiction, theatre, and music
Sailors in port and at home
Dockyards and shipbuilding
Heritage, memory, and museums

Proposals are invited for short papers (20 minutes) and panel sessions (60 minutes).

Abstracts of up to 250 words are invited, and should be sent to Dr Steven Gray at maritimemasculinities@gmail.com

Deadline for abstracts: Friday, 20 May at midnight (GMT)

Further information here.

CfP: The Myriad Faces of War: 1917 and its Legacy

The Myriad Faces of War: 1917 and its Legacy Symposium
25-28 April 2017
At Museum of New Zealand Te Papa Tongarewa, Wellington, New Zealand

The organizing partners are excited to send out this call for papers inviting submissions to this unique international, multidisciplinary symposium showcasing academic and creative work on the year 1917 and its myriad legacies.

The concept behind the symposium is that key events of 1917 not only influenced the outcome of World War I but continue to be felt today in political, social, cultural, economic, and technological spheres. Using 1917 as a focal point, the Myriad faces symposium will expand outwards to reflect on the significant impact of the Great War and the wider role of war – and peace – in the past and present.

For more information go to: http://myriadfaces.org
Call for papers deadline: 1 July 2016

Keynote speakers:
The symposium has drawn together leading international scholars including:

Professor Annette Becker (Université Paris Ouest Nanterre La Défense)
Piet Chielens (In Flanders Fields Museum, Ypres)
Dr Santanu Das (King’s College London)
Dr Jock Phillips
Professor Michael Neiberg (U.S. Army War College)
Dr. Gorch Pieken (Militärhistorisches Museum der Bundeswehr)
Dr Galina Rylkova (University of Florida)
Professor Peter Stanley (University of New South Wales)
Professor Jay Winter (Yale University)

The Myriad Faces of War: 1917 and its Legacy symposium is organised by:

WHAM (War History Heritage Art and Memory) Research Network
Massey University Te Kunenga Ki Pūrehuroa
Auckland War Memorial Museum Tamaki Paenga Hira
The University of Auckland Te Whare Wānanga o Tāmaki Makaurau

The symposium is supported by Museum of New Zealand Te Papa Tongarewa

CfP: Journal of History and Cultures

The Journal of History and Cultures (JHAC) is inviting postgraduates and early career academics to submit articles or book reviews for its next issue.

JHAC is a peer-reviewed online journal dedicated to pioneering new research in history and cultures. Drawing on the latest historical, cultural, political, social, and theoretical analytical research, JHAC’s overarching purpose is to foster lively and productive academic debate.

We welcome articles on a broad range in both geographic and chronological terms, including local, regional, national and/or global foci from medieval right through to contemporary periods.

Articles should be between 5,000 and 7,000 words long (not including bibliography and footnotes). Book reviews should be between 750 and 1,000 words.

Submissions should be emailed to jhac@contacts.bham.ac.uk by no later than 27th June 2016. Please ensure that you have included all relevant contact information, including your name, the title of your manuscript, your professional or institutional affiliation and a permanent e-mail address.

Please contact us (jhac@contacts.bham.ac.uk) or visit our website (http://historyandcultures.com) for more details about submissions and available books for review.

Journal Editors: Ruth Lindley and Shahmima Akhtar
Contact Info:
Shahmima Akhtar
Doctoral Researcher
Department of History
University of Birmingham
Edgbaston, B15 2TT

Twitter: @shahmima_akhtar
Contact Email: shahmima.akhtar@gmail.com
URL: http://historyandcultures.com/

CfP: Writing 1914-1918. National Responses to the Great War

Studies in Twentieth and Twenty-First Century Literature
Special Issue: “Writing 1914-1918. National Responses to the Great War”
Summer 2017

Edited by Toby Garfitt (University of Oxford)
& Nicolas Bianchi (Université Montpellier-III / Universiteit Gent)

With the outbreak of the First World War and the uncovering of modern, dehumanized violence, many direct witnesses faced a double crisis when they tried to share their personal experience. The discovery of physical violence led above all to a crisis of representation, due to the inability of the traditional depictions of war to convey the nature of modern warfare. But there was also a crisis of language, caused by the perverted use of the standardized language to justify the war through political and journalistic lies and heroic descriptions of the events. Despite all this, much material was produced, representing most of the countries that were involved, directly or not, in the war. Letters, diaries, novels, poems, war reportages were written and published in abundance, from the beginning of the war until the end of the 1930s, and some of them achieved immediate and considerable success.

While a substantial number of studies focus fairly narrowly on these works in order to explore how and why they managed to cope with both crises, there have been comparatively few attempts to take a more global approach. Some literary productions from that time are well known, but this is often due to the particular experience of an author rather than to the broader national climate of the country concerned. One of the main goals of this STTCL special issue will be to offer a global perspective in order to locate a number of works from the period within the specific framework of their national production. Because of the way the mother tongue of the authors naturally influenced their way of thinking and because of the rise of nationalisms at the beginning of the century, each author was faced with either embracing or rejecting a national climate. Our work will use this reflection on national responses to the Great War to shed light on some forgotten texts of the period which bring an original response to the challenges of the war, in relation to the canon. Widening the approach to include all the relevant languages will allow a comparison between some of the essential themes present in the texts.

Articles must be written in English and should not exceed 7,500 words in length. We will particularly appreciate articles including examples of French, German and Spanish texts, which are the main interest of the review. Authors must provide a 500-word abstract along with a brief CV, complete contact details, and academic affiliation. The deadline for the submission of your proposal is set on May 15, 2016.

Further information: Dernière version appel STTCL (mars)

CfP: Conference of the International Society for First World War Studies ‘War Time’, 10-11 November 2016, Oxford

The 9th Conference of the International Society for First World War Studies, War Time will be held at the Maison Française, University of Oxford, on 10-11 November 2016.

Following the success of previous events, the International Society for First World War Studies is delighted to announce its 9th conference, to be held at the University of Oxford in November 2016. The conference will explore the theme of ‘War Time’. 2016, as the midpoint of the First World War formal centenary period, marks a significant opportunity to reexamine and reflect upon the ways that time has been conceptualised both during the war itself and in the hundred years of scholarship that have followed.

Traditionally, periodisation has been considered a useful framework for understanding the
war. This has neglected a plurality of timelines, both within the years of conflict and those which traverse and connect pre- and post-war narratives. The war marked a rupture in the way individuals experienced time, and interrupted usual rhythms and patterns. The conference will seek to reveal and contextualise new chronologies, pursued along flexible and multiple timelines. All approaches (social, cultural, military, etc) and disciplinary perspectives are welcome. We invite papers which address aspects of the following themes, particularly through comparative and transnational lenses:

• communication and time (including methods and posthumous communication)
• desynchronised and/or simultaneous relationships (between hemispheres, between fronts, across spaces)
• the war’s effect upon conceptions of age groups, life cycles, and rites of passage
• processes of evolution, development, learning curves, and cycles of learning
• materiality of time
• varying perceptions and experiences of time: pauses, waiting, anticipation, suspensions, time slowing down, boredom, time stopping, ‘the end of times’, losing/lost time, running out of time
• institutional measures to control time (such as differing calendars, curfews, time zone boundary changes, and the introduction of Daylight Savings Time)
• war generations, e.g. ‘lost generations’
• military coordination and precision

Conference papers will be circulated in advance to all attendees. Panels will focus on
discussion rather than presentation; each paper’s time-slot will commence with a commentary, before the floor is opened to broader discussion in order to promote engaging and interdisciplinary conversations. We therefore strongly encourage proposals from graduate students and early career researchers.

Proposals should be approximately 300 words in length, with the final papers a maximum
of 7,000 words. Applications should also be accompanied by a short CV. Please submit
proposals to 2016wartime@gmail.com by 16th May 2016. Successful applicants will be
invited to submit their final research papers by 31st August 2016. The working language of the conference and all submissions is English. The organisers intend to publish the proceedings of this conference.